Las óleos de todo Gustave Guillaumet
ID Image  Painting (From A to Z)       Details 
25235  
Gustave Guillaumet, Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32)
  		 Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32)   huile sur toile signee et datee 1867 142 x 104 cm Musee des Beaux-Arts Pau Exoposee au Salon de 1867 et offerte par Napoleon III au musee de pau
25236  
Gustave Guillaumet, Dans Les dunes (mk32)
  		 Dans Les dunes (mk32)   ou huile sur toile signee et datee 1880 79 x 120 cm Anc Sotheby Londres
11281  
Gustave Guillaumet, Evening Prayer in the Sahara
  		 Evening Prayer in the Sahara   1863(Salon of 1863) 4' 6'' x 9' 1/4'' (137 x 285cm)
39997  
Gustave Guillaumet, Evening Prayer in the Sahara
  		 Evening Prayer in the Sahara   mk155 1863 Oil on canvas 135x182cm
39995  
Gustave Guillaumet, La Seguia,Near Biskra
  		 La Seguia,Near Biskra   mk155 1885 Oil on canvas 100x155cm
39998  
Gustave Guillaumet, Laghouat Algerian Sahara
  		 Laghouat Algerian Sahara   mk155 1879 Oil on canvas 122x181cm
61955  
Gustave Guillaumet, Laghouat, Algerian Sahara.
  		 Laghouat, Algerian Sahara.   1879. Oil on canvas. 47.5 x 70x5 in. (122 x 181 cm). Musee D'Orsay, Paris. © Reunion des Musees Nationaux / Art Resource, NY.
39999  
Gustave Guillaumet, The Sahara
  		 The Sahara   mk155 1867 Oil on canvas 110x200cm
11218  
Gustave Guillaumet, The Sahara(or The Desert)
  		 The Sahara(or The Desert)   1867(Salon of 1868) 3' 7 1/2'' x 6' 5''(110 x 200cm)Gift of the artist's family,1888
39996  
Gustave Guillaumet, Weavers at Bou-Saada
  		 Weavers at Bou-Saada   mk155 undated Oil on canvas 95x112cm
Gustave Guillaumet
French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies



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